Joe Russo’s Almost Dead kicked off their second annual three-night “Fall Ball” at Brooklyn Bowl with a wild and inspired performance. The show featured an excellent setlist, a mini acoustic set in the lanes of the Bowl, and a number of standout jams, as Joe Russo, Marco Benevento, Tom Hamilton, Dave Dreiwitz, and Scott Metzger once again showed their hometown crowd exactly why they are such a revered live band.The first set kicked off with a jam that turned into “Good Morning Little Schoolgirl”, a song that the Almost Dead have never tackled before, continuing the trend of them debuting new material at Brooklyn Bowl. Fans were still filing into the venue at this point, and the song felt like a warm up for band and crowd alike. The show really kicked into gear with a swirling “Birdsong” that found the band weaving in and out of the song’s form as a unit. “St. Stephen” provided multiple standout jam sections, serving as a true highlight and possibly the most energetic song of the evening. One of the sections featured Russo and Benevento dueling like their old days as a duo, and another section featured a heavy rock vibe. The song took on a speed-rock vibe at one point, with the band building up tension before finally dropping back into the final verse of the song.JRAD kept the debuts coming with “Fortune Teller” by Allen Toussaint, which then morphed into a “Mountain Dew” jam that slowly but surely transformed into “I Know You Rider”. The song’s epic build up, emotional lyrics, and lightning speed guitar work set the crowd on fire and the audience was in the palm of the band’s hands. The crowd loudly screamed along with the “I wish I was a headlight on a Northbound train” lyric, and JRAD exploded right back out of the gates with more soaring improv. Metzger and Hamilton shared vocals on the beautiful ballad “Jack Straw” that followed, which was perfectly placed at this point in the set, giving the audience a breather after the intensity of “Rider”.What came next was a complete surprise, as Dreiwitz stepped up to the microphone to lead the band through “So Long, Jerry”, a Ween song that was written in remembrance of Jerry Garcia after his death, and the cover surely shocked the audience.It seemed that the first set was over, but the band had other plans. They moved from the main stage to a small second stage that had been set up in the VIP area in the bowling lanes for mini-set that surprised everyone in the room. There was lots of movement as fans tried to get a better view of the new stage, and the band made up for the commotion with a beautiful and rare acoustic set, with Dreiwitz on an upright bass. The band would play four songs on the small stage, with “Candyman”, “Race Is On”, and “It Must’ve Been The Roses” all being played before they finished off the special segment with “Uncle John’s Band”. It was a truly spectacular moment, and a completely new move for the quintet. The band have played Brooklyn Bowl many times in their brief career, so it’s cool to see them switch things up like this.Following a short break, the band returned to the stage with a take on the rare “Silvio”, written by Grateful Dead lyricist Robert Hunter and originally scored by Bob Dylan. The theme was a relevant, tasteful addition to the band’s tribute. The first “Wharf Rat” in sixty-five shows followed, with Metzger doing his absolute best Bob Weir impersonation before improvisation took over. If set one was an aggressive set of rock ‘n’ roll, set two was a set of patient and brooding psychedelic intricacy, and “Wharf Rat” perfectly encapsulated that vibe.JRAD kept the bust outs coming, with the first “Loser” in 75 shows giving the crowd another moment to dance and sing along. Metzger led the band through a debut version of “King Bee”, a song originally written by Slim Harpo, before Russo turned in a rare lead vocal performance on the first “Unbroken Chain” in 77 shows. I want to take a second to shout out Mr. Russo, who shined brightly on the drums throughout the evening. He masterfully leads this band as he pounds on the drum kit with authority. He has an uncanny ability to take the Dead’s catalog and make it his own, as he plays both Mickey Hart and Bill Kreutzman‘s parts at the same time, creating a frenetic and unrivaled energy.The band continued their set with “Here Comes Sunshine”, which saw some impressive guitar work from Hamilton and Metzger, building up a crazy energy that would last for the rest of the show. This was a truly impressive take on “Here Comes Sunshine”, and served as one of the high points of the second set. The jam eventually landed on an outstanding “Playin’ In The Band”, which once again featured multiple distinct jam sections that provided a final standout improvisational moment of the evening.After a short encore break, Benevento emerged to play a remarkable, New Orleans-esque piano solo before settling in on the opening notes of Warren Zevon‘s “Werewolves of London”. The crowd went absolutely crazy for the beloved cover, and fans left the bowl howling like a wolf into the night’s sky.At this point, it’s clear that Joe Russo’s Almost Dead is one of the best-oiled-machines on the live circuit. They play the Grateful Dead catalog with an unbridled aggressiveness that in some ways re-defines the entire experience. Russo’s powerful drumming leads the charge, but each member of the band fits their role perfectly, and it allows for them to create a truly impressive musical experience each time they take the stage. That talent was on display at Brooklyn Bowl last night, and is sure to be a hallmark of the next two nights as well. Long live the Almost Dead!See Below for a full setlist from last night’s show. Joe Russo’s Almost Dead returns to Brooklyn Bowl tonight for their second of three nights of the “Fall Ball”. The band shared a few Facebook Live moments, which you can enjoy below: Joe Russo’s Almost Dead | Brooklyn, NY | 10/7/16 | Brooklyn BowlSet I: Jam->Good Morning Little Schoolgirl->Birdsong->St. Stephen->Fortune Teller->I Know You Rider->Jack Straw, So Long, JerrySet II: Candyman*, Race is on*, It Must’ve Been The Roses*, Uncle John’s Band*Set III: Silvio->Wharf Rat->Loser->King Bee, Unbroken Chain>Here Comes Sunshine->Playin’ In The BandE: Marco Benevento Piano Solo ->Werewolves Of London*played on acoustic mini-stage in the VIP area in the bowling lanes[photo via @daynabgold]
Tweet Share By Michelle RobertsHealth reporter, BBC NewsObesity is the biggest driving force behind the most common form of breast cancer in older women, say researchers.Alcohol and then cigarettes are the next largest culprits, according to Cancer Research UK.One in eight women in the UK develop breast cancer in their lifetime, data shows, and the majority of these tumours are “hormone sensitive” meaning their growth is fuelled by hormones.Too much stored fat in the body raises the level of these “sex” hormones.Studies show that post-menopausal women with high levels of oestrogen and testosterone have between two and three times the risk of breast cancer than women with the lowest levels.Experts have known for some time that factors that influence hormone levels – like pregnancy, the oral contraceptive pill and the menopause – can change a woman’s breast cancer risk.This latest work, published in the British Journal of Cancer, suggests obesity should go at the top of this list, not least because it is a lifestyle factor that women can have some control over.The Oxford University team, funded by Cancer Research UK, studied the health records of nearly 6,300 post-menopausal women, looking for factors that might explain why some developed hormone sensitive breast cancer when others did not.A woman’s weight had the greatest bearing on a woman’s sex hormone levels, shortly followed by smoking and alcohol consumption.Women who are overweight or obese – meaning they have a body mass index of 25 or more – had high levels of hormones like oestrogen and progesterone.So too did women who drank more than two and a half units of alcohol a day or smoked more than 15 cigarettes daily.Experts say women should be made aware of these modifiable risk factors.Dr Julie Sharp, of Cancer Research UK, said: “This is an important study as it helps to show how alcohol and weight can influence hormone levels. Understanding their role in breast cancer is vital and this analysis sheds light on how they could affect breast cancer risk.“We know that the risk of the disease can be affected by family history and getting older, but there are also things women can do help reduce the risk of the disease. Maintaining a healthy body weight and reducing alcohol consumption are key to reducing breast cancer risk.” 15 Views no discussions Share HealthLifestyle Obesity ‘leading driver’ of breast cancer by: – July 20, 2011 Share Sharing is caring!
Huddersfield have signed Wales international defender Jazz Richards on loan from Swansea. “With Jack Hunt’s departure and the recent injury that Calum Woods has suffered, we were looking to increase our options in that area of the pitch and Jazz is exactly the type of player we have here at the club,” Robins told the club’s official website. “He is young, but has good experience of the Championship with Swansea and last season’s loan at Crystal Palace, and now he’s hungry for more. “Swansea play good passing football and he fits the mould when it comes to playing in our side. “He has a lot of quality both technically and physically and we’re delighted to have him at the club.” Richards is a product of the Swansea academy and made his debut for the Welsh club as an 18-year-old against Middlesbrough in 2009. He has made over 35 first-team appearances for Swansea and featured on 11 occasions for Crystal Palace while on loan there at the back end of last season. The Swansea-born defender made his senior debut for Wales in a 2-0 defeat to Mexico in New Jersey in May 2012. The versatile 22-year-old, who can play at either full-back position or in midfield, has joined Huddersfield on a 93-day emergency loan and will go straight into Mark Robins’ squad for Saturday’s home derby against Doncaster. Town boss Robins has moved quickly to draft in cover for right-back Jack Hunt, who joined Crystal Palace for a reported £2million fee on transfer deadline day. Press Association